“Andrew Garland’s Papageno was endlessly amusing as a regular guy who wished he could catch a wife as easily as he caught birds, and who would evidently rather have been down the street at the Red Sox game than here amid thunderclaps, scary pursuers, and trials by fire. The singer’s bluff baritone showed an unexpectedly lyrical side in the philosophical duet with Pamina [Leah Partrige]” – See more at: http://bostonclassicalreview.com/2016/04/boston-baroques-magic-flute-delivers-mozart-with-bells-on/#sthash.nYr5zO6h.dpuf
REVIEWS
Recent Reviews
-
REVIEW – Brahms Ein Deutsches Requiem Greensboro Symphony
“In the third movement (Andante moderato), baritone soloist Andrew Garland intoned ‘Herr, lehre doch…
-
REVIEW – Brahms Ein Deutsches Requiem Greensboro Symphony
“Garland’s voice was powerful and rich, demanding attention.” – Timothy Lindeman, Classical Vo…
-
REVIEW – Gabriela Frank Conquest Requiem Nasvhville Symphony
“ Malinche’s son Martín, sung with vigor, excellent diction, and an exacting intonation by baritone…