“The most distinctive scenes are those involving Andrew Garland and Kirsten Chambers. As the suffering Prior Walter, Garland deployed a versatile, muscular baritone. Garland was at his best in Act II, when he turned into a convincing, if unwilling, prophet — and showed an impressive falsetto.” — Opera News, September 2017
REVIEWS
Recent Reviews
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REVIEW The Barber of Seville The Princeton Festival
“Among the veterans, baritone Andrew Garland stands out. He backs a winning vocal characterization o…
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REVIEW – Brahms Ein Deutsches Requiem Greensboro Symphony
“In the third movement (Andante moderato), baritone soloist Andrew Garland intoned ‘Herr, lehre doch…
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REVIEW – Brahms Ein Deutsches Requiem Greensboro Symphony
“Garland’s voice was powerful and rich, demanding attention.” – Timothy Lindeman, Classical Vo…